Here's the 90-minute system that teaches you the difference.
Get the Workshop — $27 90-min workshop · Full replay access · TAB + Practice WorkbookYou know what you want to play. The pick keeps getting in the way. You squeeze tighter hoping for more control and it makes everything worse. You catch the string on the way through and the pick drags. You lose it mid-song.
So you grip harder. And drop it anyway. And the harder you try, the more tense and wrong the whole thing feels.
This is not a talent problem. It is a control problem. And control is mechanical. It can be diagnosed, drilled, and built.
This workshop isolates the three things that make heavy bass playing sound heavy, and trains each one before putting them together.
Every note the same volume and punch. No ghost notes. No accidental spikes.
Silence on command. When a note should stop, it stops. Immediately, completely.
Moving between strings without extra noise. One string at a time.
You work through five progressive exercises, each targeting one specific control skill.
Then you put it together in a locked loop from an actual song. Isolated skills become one connected performance.
The stop condition: you record a receipt clip. One full loop, roughly 12 seconds. If 2 out of 3 takes are clean, you pass.
"I can create consistent heavy attack, control my note endings, and keep string crossings quiet. On command."
You have a recorded clip to prove it. On Day 7, you re-record and compare. The difference is audible.
The outcome is not a feeling. It is a recording you can hear, compare, and keep.
Any bass, any pick (0.8mm+ recommended), standard E tuning. No amp, pedal, or interface requirements. The drills work on whatever you own.
Most picking advice gives tips without a diagnostic system. This workshop gives you a framework: when the loop breaks down, you name what failed first. Grip, endings, or crossings. Then you run a 60-second reset. You stop guessing and start diagnosing.
If you can hold a pick and play open strings, you can do this. The exercises start at 60 BPM on a single open string and build from there.
70 BPM is a passing tempo for the receipt clip. Control first. Speed is not the goal of this workshop.
Yes. All drills and the receipt clip use alternate picking (down-up) throughout. If you primarily play fingers, this is not the right workshop.
Every failure has a name (grip, endings, or crossings) and a scripted 60-second fix. You know what broke and how to repair it.
Each exercise has clear pass criteria. You are not grinding. You are testing.
The outcome is not a feeling. It is a recording you can hear, compare, and keep.
The workshop is $27. The 7-day follow-up plan is 12 to 15 minutes a day. The outcome is a recording, not a promise.